s participation in the dramas presented to us. However, the theater work I do does not use live actors. I am a "thought artist" and my theater is created entirely by my mind and imagination and projected as an energy that forms an image for others to view.

I work in a theater that is circular in construction, with a domed ceiling, similar to your planetarium building. The audience sits around the circumference and the artist projecting the presentation sits in the center. The surface of the dome and walls above the heads of the audience is "sensitized" in a way to allow thought energy created by the artist to form images on it. The "sensitized" surface is calibrated to pick up only the performing artist's thoughts and not any random thoughts from the audience. Projecting thoughts on to this surface requires some discipline on the part of the artist in maintaining the correct "frequency" for transmission. The images play all around the audience and involve productions that would be called "total theater" on your world. Video taken to a maximum development. This would include music, abstract color forms, as, well as representational images; dramas unfold; movement flows that would be considered dances. Sounds are heard that could be vocal or instrumental or from sources that transcend physically mated sonic production. All this and more is part of our theater.

My interactions with this channel have allowed me to garner Earth dramas to present for the home audience. These not only expand our experiences, but help us to better understand you, our cousins, as we prepare to enter into open contact with your world. There is another form of thought theater in, which I participate. It is the creation of holographic images. In this activity there are usually three artists working together. We sit in a triangular formation and blend our energies to create images in the center where our energies converge. Often this is a sculptural piece that we each work at refining. It can also be a drama with characters who act out a scenario. We usually confer before the performance on a general outline, then allow the characters to take off "on their own." There are also elements of channeling involved in this.

These can be developed on your world, too. There are already individuals who carry natural abilities to effect sensitive surfaces such as film, video tape, or audio tape with energy from their minds or bands. They do not have refined skills as yet, but they can be developed. This is a future path for the arts on your world, as well.

The holographic theater is a game you can play right now. With two or more participants, you can create your own energy theater. The more closely aligned the participants are the more successful you are likely to be. Many have pronounced abilities to project energy, as in healing with the hands. Even those without pronounced abilities can template the abilities of others, by working closely with them, and contributing to the project. I would suggest three people sitting in a triangular arrangement would be best. Enter into a meditative state and allow the energy to flow, projecting it from your brow chakra, your eyes, or your hands to a point in the center where your energies meet. Picture yourself as a conduit for the energy, so you are not depleting your own energy stores. I would suggest you start by creating simple shapes in space; spheres, cubes or pyramids. At first, use your hands to feel the shapes and work to give greater "solidity" to what you feel. You can then move on to energy forms that can be seen. Start simply by forming an area of light. Red light is often easiest to begin with. Then work on expanding the light and changing the color.

Variations of this game are being played by many on the Earth plane, even now. I would like to suggest a dimension that you could include. If one or more of your participants is a channel, you can call in Extraterrestrial energy to play with you. Conceivably, you could work together to form images of the Extraterrestrial’s reality. The mechanisms involved would be that the Earth participants would provide the life force energy and the Extraterrestrials could manipulate the energy to create images from their worlds. This could even be recorded on tape or film.

The degree of success of such a venture would depend on how well the individuals, both Extraterrestrial and of Earth, blend their abilities. Like other collaborative creative combinations on your plane such as composers and lyricists or actors and playwrights, a really great team can produce wonderful creations.

These games are fun and they have practical applications, too. They assist in the expansion process of the consciousness of your plane as you move into the Age of Light. Also, when you call in Extraterrestrial participation, you are supporting the preparation for open contact with other worlds.

**Hannah is the author of WELCOME TO PLANET EARTH, available from Light Technology, 1-800-450-0985 and RIDING THE PHOENIX: Surviving the Global Resurrection, from Xlibris, 1-888-795-4274. Both can be ordered from www.amazon.com. WELCOME TO PLANET EARTH A Guide for Walk- ins, Starseeds, and Lightworkers e-mail: hbeaconsfleld@yahoo.com Hannah Beaconsfield has been channeling for many years, beginning with automatic writing, which she still uses most of the time. In 1989 she began voice channeling with the help of Lyssa Royal and her channeling course. Hannah is a metaphysician, Choreographer, and Artist.

----------------------------------------------------------------------

Ariel: "Sovereignty is the cornerstone of knowing that there is no power outside of your Self that has dominion over you. Therefore, each and every experience is an event based on the fact of power within, or a belief in the power without. If you think it is without, then you will be without. (Read that again) When an entity's personality has accepted the worldly programming about power sourcing (and this can only be allowed by agreement), which is based on external authorities, then you have a potent demonstration of disempowerment and helplessness. That experience is fast becoming obsolete at this juncture, and since so many entities have infiltrated the Planet from source systems that are based in freedom and sovereignty, the current game on Earth is in terminal mode. That is why there 'seems' to be a magnification of the shadow side at this time, because the jig is up, and 'they' know it, although at a mostly unconscious level."

--------------------------------------------------------------------------------