enheit 9/11. It is an incredibly powerful movie that lays bare the cynicism and greed behind Bush's war policy. And the astonishing and revealing footage in it has the power to change the course of the 2004 election. (There's a full review below.)

Given how devastating the movie is to President Bush's carefully crafted facade, it's hardly surprising that right-wing groups who call Moore a "domestic enemy" are using censorship and intimidation tactics to try to get it pulled from theaters. That's why we've got to do everything we can to make the opening a huge success.

Today, we're asking MoveOn members to pledge to see the film on the opening night -- Friday, June 25th. (If you can't make it on Friday, pledging to go on Saturday or Sunday is fine, too). It'll be fun, of course -- you'll be watching the movie with lots of other MoveOn members. It'll also send an unmistakable message to the media and theater owners that the public is behind this movie.

To see the Fahrenheit 9/11 trailer and pledge to see the movie on the opening weekend, go to:

http://www.moveonpac.org/f911/?id=2949-2289260-fdFFd8hYjxj.gZ7rJ06wIQ

Then please pass this message on to your friends, family, and co-workers.

Fahrenheit 9/11 isn't just the most powerful and complete indictment of the Bush administration that I've ever seen - it's one of the best movies I've ever seen. It's a knockout blow: a poignant, darkly funny film that deftly interweaves footage of the President, his allies, and the Americans his policies betrayed. As Fox News' reviewer put it, the movie "is a tribute to patriotism, to the American sense of duty - and at the same time an indictment of stupidity and avarice." (See http://www.foxnews.com/story/0,2933,122680,00.html for the full review.)

Despite years of television coverage on Iraq and the war on terror, most of the movie consists of footage you'd never see on TV. There are heart-breaking interviews with troops in Iraq, chilling scenes of the civilian consequences of that war, and footage of Bush so candid and revealing that it's hard to imagine how Moore got his hands on it. In one unforgettable scene from the morning of September 11th, Bush blithely reads a children's book to a classroom of kids for seven long minutes after his chief of staff quietly informs him that the second plane has hit the World Trade Center and "we're under attack." The film is filled with this stuff, and it's hard to imagine seeing it and not being moved, shocked, and outraged.

Fahrenheit 9/11 opens with footage of Bush administration officials putting on their TV makeup. Paul Wolfowitz sticks his comb in his mouth, slathers it with spit, brushes it through his hair, and grins a toothy grin. Colin Powell eyes the camera nervously as a makeup artist dusts his face. And, moments before President Bush goes on TV to somberly announce the beginning of the Iraq war, we see him goofing around, making funny faces at the folks behind the camera.

These candid portraits encapsulate the genius of Moore's documentary. Compared to his other films, there's little pranking or moralizing. Moore basically stays out of the picture: he doesn't have to indict the Bush administration, because with powerful and indisputable video, Bush and the rest indict themselves.

As Moore unravels Bush's story, he joins it with the stories of the real Americans who have shouldered the burden of the post-9/11 war policy. In Flint, Michigan, we hear from a group of inner-city kids whose only option for education and a better life is to enlist in the Army - and then, in a scene that's both humorous and deeply creepy, join two Marine recruiters as they case a local mall for possible enlistees. We watch a California peace group that was infiltrated by the local police department under the Patriot Act. And, in the final heartbreaking scenes, we witness the pain of a mother who lost her son in Iraq.

In the hands of other directors, the content could easily feel exploitative. But Moore is grounded by a patriotism that rings through every frame of the film. Compassion and love of country give the film its striking authenticity: it's clear that what stings most about the President's behavior, for the subjects of the film, is Bush's betrayal of our country's soul.

Fahrenheit 9/11 is a film with the power to change hearts and minds. It's brilliant, funny, moving, and authentic. And together, we can make it a huge success.

Watch the trailer and pledge to see the film opening night at:

http://www.moveonpac.org/f911/?id=2949-2289260-fdFFd8hYjxj.gZ7rJ06wIQ

Sincerely,

--Eli Pariser

MoveOn PAC

Wednesday, June 16th

P.S. Fahrenheit 9/11 has already reaped widespread praise from critics. Here are just a few samples:

Roger Ebert, "Less is Moore in subdued, effective '9/11'," Chicago Sun Times, May 18, 2004

"Despite these dramatic moments, the most memorable footage for me involved President Bush on Sept. 11. [Ebert goes on to describe the scene.] The look on his face as he reads the book, knowing what he knows, is disquieting."

http://www.suntimes.com/output/eb-feature/cst-ftr-cannes18.html

Mary Corliss, "A First Look at "Fahrenheit 9/11," Time Magazine Online, May 17, 2004

Corliss calls the film, "Moore’s own War on Error."

http://www.time.com/time/arts/article/0,8599,638819,00.html

Frank Rich, "Beautiful Minds and Ugly Truths," International Herald Tribune, May 21, 2004

"'Fahrenheit 9/11' is not the movie Moore watchers, fans or foes, were expecting. (If it were, the foes would find it easier to ignore.)"

http://www.iht.com/articles/521066.html

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